Fall is always a busy time for games and this year is no exception. Here are the best games of 2021 so far, October edition. Be sure to check the April and July updates to see how the list has evolved over time.
While guided paths allow less versed players to get through missions more easily, Hitman 3 is overflowing with possibilities when it comes to taking down a target and isn’t afraid to be a little ridiculous when it comes to problems or solutions. If you have an idea in Hitman 3 chances are you can execute on it and that’s a great feeling to have.
Mission grades add a bit of incentive to step up your smarts and creativity. Completion is met with temptation and curiosity as I often found myself wondering how so many angles and ideas were left unexplored.
Part of the fun is how forgiving it is. Constant autosaves and manual save options create a safe space to experiment.
Solutions are vast but so are the conflicts. The AI can be hard to shake and it’s often smart enough to spot you if you’re a bit reckless. This, combined with the assignments you’re given keeps gameplay fresh. From infiltrating a shady science lab to scaling a skyscraper: the scenarios, buildings, and opportunites are plenty different.
It’s also just straight up beautiful in its environmental and in its detail which makes plotting out routes and exploring areas a joy in itself.
A slew of spooky secrets combined with environmental variety had me cherishing my time in Resident Evil Village despite the slight fear that underscored the experience because after all, it’s still a survival horror game.
While it never quite reaches the highs of Resident Evil 7, Village manages to stay clear of the lows by taking you on a fairly even keeled tour of horrors ranging from ornate castles with bloody basements to twisted factories of horrors.
Having played the bulk of the franchise including the first Ratchet and Clank back on the PlayStation 2, Rift Apart’s visual polish and detail felt like it could finally execute what it was always meant to be. Glimmering nanotech, massive cityscapes, and more, Ratchet and Clank: Rift Apart is a visual feast and it has the performance to back it up.
This epic adventure’s only real fault is its inability to deviate from the franchise formula in a bigger way but it’s a formula that’s still fun.
Cute, adventurous, and just a little unsettling Death’s Door has an enticing world and a simple yet satisfying toolset for combat that keeps me coming back.
The charm is in the details from bodies flopping to the ground upon being defeated to being able to slice a sign in half and read it in pieces, plus it’s all tied together with a fantastic soundtrack.
In terms of difficulty, Death’s Door definitely pushed back on players but decently fair checkpointing and an RPG element of leveling up by spending souls helps maintain morale.
As someone who has tried time and time again to get into JRPGs, and failed each time, Bravely Default 2 blew me away in just the first few hours.
The combat system is turn-based and straightforward with an added layer of personality that comes from the returning Brave and Default system: with Brave allowing you to string four actions in one turn but costing BP and Default banking your action in exchange for BP.
Small but convenient design choices, like having your attack go to the next enemy upon defeating said enemy, are far from revolutionary but I have a dozen more examples of these miniscule smart decisions. The result is a JRPG that avoids a lot of common pitfalls and pain points.
From the cute chibi artstyle to the team customizing job system, I’m loving everything about Bravely Default 2.
Metroid Dread is a masterclass in 2D Metroid: nailing exploration and combat while being one of the best looking games on the Nintendo Switch this year.
Leaving mystery when needed but funneling you along critical path when necessary, Metroid Dread created the right setting for the navigational challnege it place on the player. The inclusion of parries added more autonomy and power during basic enemy encounters and made for memorable cinematic moments during boss battles.
My biggest gripe is that it can be a bit too unforgiving at times and a few design choices can lead players to become unecesarily lost. They say “in space, no one can hear you scream” which is fortunate for every entity in existence because I was absolutely screaming during several boss encounters.
Metroid is about balancing power and pain. For the most part, Metroid Dread understands this and turns this balancing act into one well-designed, albeit, grueling experience.
Life can flash by in the blink of an eye and in Before Your Eyes it literally does. Intended to be played with a webcam that registers your blinks as input, this is the most immersive experience I’ve had outside of VR.
Played in first person, you’re a soul on the way to the afterlife who has to reflect on what brought you there by recounting your life. Before Your Eyes lets you sit in moments longer by interacting with objects in the world but also forces you to jump forward in time if you blink while the metronome icon is at the bottom of the screen.
The combination of lingering in places and being pulled out earlier than you’d like makes for fantastic pacing that will leave you with a feeling of longing few games can elicit.
Without spoilers, the further the story progressed the more compelling it became. Before Your Eyes is not only the most unconventional game on this but one of the most unique experiences I’ve ever played.
Content Warning: Before Your Eyes explores motifs such as death and illness.
Incorporating the DNA of so many games and genres that came before it, Chicory still manages to feel a bit unlike anything that has come before and that’s a good thing. It’s a coloring book adventure game that with a splash of metroidvania. As your bond with the brush grows, your abilities expand allowing you to visit new areas.
You can color entire frames with elaborate designs or speed through areas, painting the bare minimum. But while painting is an invitation to get creative, it’s also a means of traversal and puzzle solving.
The superb gameplay would be enough to get it on this list but the plot and dialogue are what make it stand out. Equal parts heartfelt, humorous, and thought provoking every NPC is worth talking to and each quest leads to something worthwhile. Chicory is an absolute must play.
Haven is brimming with heart and intriguing small town stories which kept me invested in the (mostly) mundane moments of the first few episodes. Getting to know and help the side characters in town felt like its own reward but what was most impressive early on is how much more drew me in.
Even the smaller NPCs you can barely talk to helped color the town and were fascinating in their own right. I found myself invested in everything from the guy yelling internally while on hold to the couple with the struggling new ice cream parlor and hoping for the best for the friends who just started dating.
What made True Colors stand out is how fun the gameplay elements were that drove the story forward from Jukebox puzzles to an elaborate turn based RPG style LARP.
True Colors feels like the natural progression of the franchise, honoring the hallmarks of its predecessors while also doing it better. When the stakes increased and went full on supernatural it did a fantastic job grounding those moments with emotional weight that provided much needed insights into characters’ past.
The more I played of True Colors the clearer it was that all the narrative moments and opportunities that came before were intentioanlly placed to make the game’s climax more impactful and it worked so well.
Life is Strange: True Colors is one of the best choice-driven games I’ve ever played.
Plenty of games are marketed with the options to go in quiet or go in guns blazing but few pull it off to the degree that Deathloop does. Abilities, known as Slabs, combined with buffs and gun variety gives you the perfect toolset for customizing your playstyle to your general liking or for the challenge at hand.
The areas never change but over time you evolve as a player, finding new routes and methods to kill the visionaries in the hope of finally breaking this time loop.
And while time plays a factor, it moves when you decide (returning to the tunnels when you’re ready to press on with the day). This gives you the space needed to deal with the chaos that can unfold from eternalists catching onto your plan to Julianna on the hunt for your head (which is signficantly more stressful when playing online against randos or friends).
Each visionary on your hitlist has their own distinctive persona and are varying degrees of charming, intriguing, cringy, and infuriating in a way that makes them all a bit memorable.
The world is lovingly crafted with a 60s inspired, retro-futistic aesthtic that’s to die for. Little details like the word “nice” appeaing in the sky when you use your gun to shoot some nearby bottles and the option to kick a candy machine to give enemies something to slip on all go a long way.
It challenges you to navigate a playfully violent environmental puzzle and it’s fun the whole way through. Shotguns and stealth take downs are equally fullfilling power fantasies here, reinfocing the idea that there’s no singular way to play.
Deathloop is a game all about time that’s engrossing enough to make the hands fall off the clock completely.